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Go deep for the sources but make them new...

The story makes the world

Jason Nicholas September 24, 2017

I studied film production in University; our directing teacher was the venerable Dr Katherine Stenholm. One day in class she made this statement about filmmaking which, at the time, seemed ludicrous, "We make reality." To my young indoctrinated mind, that was beyond our human capacity; God made reality and it was so. However, I've grown to understand more of the nuance of what she meant. This morning I read George Monbiot's excellent Weekly Review article in this week's Guardian. His title and premise is, It's time to tell a new story if we want to change the world. He articulates much of what I've been ruminating recently about our individual and collective need for a better story from which we live. 

He says, "Stories are the means by which we navigate the world. They allow us to interpret its complex and contradictory signals. We all possess a narrative instinct: an innate disposition to listen for an account of who we are and where we stand. When we encounter a complex issue and try to understand it, what we look for is not consistent and reliable facts but a consistent and comprehensible story. When we ask ourselves whether something 'makes sense', the 'sense' we seek is not rationality, as scientists and philosophers perceive it, but narrative fidelity."

We are the storytelling creature and without a coherent story we fall into a kind of madness. We hold to our myths and legends because they give us a form to work from—the archetypes from which we can understand ourselves and our relation to others. One cannot remove the 'story' from the 'self' without either replacing it with another or causing significant trauma. This is evidenced—everywhere in countless ways. From the products we purchase out of 'brand loyalty' to the celebrities we admire, in our adherence to a certain sports team to a willingness to die in battle for the cause of a nation. It's often based far more on the story we've been told or tell ourselves rather than objective reality. 

I'd like to think of myself as a rational person but I know that my own life is not given meaning nor is it motivated by lists of facts. Monbiot, in his article states, "A string of facts, however well attested, will not correct or dislodge a powerful story. The only response it is likely to provoke is indignation: people often angrily deny facts that clash with the narrative 'truth' established in their minds. The only thing that can displace a story is a story. Those who tell the stories run the world." We aren't living in a 'post truth' world; objectively, truth is still truth. We are living in a world where the collective narrative can be powerfully shifted and driven on a mass scale. We are in a world where The Story is even more paramount than ever. All these matters we focus on, the economy, the environment, migration, human rights, resources—we discuss them all as if control of them is the goal and end of power. They are insignificant, or at most, secondary to the power derived from The Story. Consider this, twenty years from now will it matter more who has more control of all the oil in the world or who has shaped a story about how and what resources we use? Will it matter who controls a given swath of geography or how we consider the migrant and the other—how we consider identity? The Story is the basis for how the world continues and we shape that narrative as individuals and as a collective of societies. 

The point this keeps coming back to for me is the issue of immigration. Immigrants must be given a space to make a new story in our adopted homes. If we do not feel part of a place's story we will never feel part of that place. We cannot live as sane human beings without that story in place—if that's missing then one will latch on to another story and that's often one based on disenfranchisement and fear. ISIS provides a story of a place and identity that can call in all the misplaced people around the world who are hungry for a story to live under. They've taken up a story that's undergird Islam for centuries, re-worked it to their own devices and deployed it as a narrative to fit their own needs, "if you cannot feel at home in the place you were born; join us in making this new story for the future." We are suffering for a scarcity of healthy stories.

We have to find a new way to make The Story for us as human beings on Earth while, simultaneously, find a new story for each of us as we readily move about upon it. All that list of serious matters above are also real and increasingly weigh upon us; but, without new stories to guide our actions, we aren't going to have a remedy for any of them. We have to recognise the reality of where we are (both literally and metaphorically); we can't make the story up on a blank slate. We have to respect the place we are in and start from there. I'm trying to consider exactly from where that story begins. I think, perhaps having read too much Wendell Berry, it truly starts from the ground up—that our stories start from a place and that place begins with soil. After writing so much about the idea of stewardship, I'm convinced that we are, ultimately, stewards of the soil. There's not much point in anything else if we destroy the actual earth beneath us; so I'd propose we start building our stories, place to place and person to person on the stewardship of soil (however, that's probably another topic to explore). 

One final note though; back to where I began in directing class. The first thing to suffer in our education, when we tell the story that capital is primary, are the liberal arts. However, if you remove Humanities from the curriculum, you remove someone's capacity to both tell and interpret stories. People are rendered powerless to either understand or generate stories and can then be controlled. That's, of course, a purposed act by neoliberal governments and institutions who want to shape the story to their own ends. We may not feel we have great powers but, if we have the power to tell a story, the story makes the world. 

In Into the Fray, Ecology Tags identity, The Story, immigration
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Representing the United States with disunity... (image by Andrew Shurtleff/The Daily Progress)

Representing the United States with disunity... (image by Andrew Shurtleff/The Daily Progress)

What kind of heritage?

Jason Nicholas August 22, 2017

I'm Appalachian. I'm specifically from West Virginia, which 'sided' with the North in the American Civil War; regardless, I consider myself 'Southern.' Each of the above are layers of identity and heritage. Above those labels I'm an American which, though we consider it some kind of concrete identity, is really so diverse an amalgamation as to defy any sort of compact definition. If anything, America, as I was raised to ideally understand it, is composed of dissimilar peoples who have come together in the United States. Our similarity is based on and strengthened by our diversity. My personal identity is expanded though by further experiences I've had in other places and cultures. In other words, my identity doesn't come from existing in one place or only referencing that single place. Identity comes from an understanding of my place in the larger whole. It's both looking back and forward, not something static and based wholly on the imagined past. It's also tempered by an informed understanding of other people and their experiences. Neither my culture or my personal history have formed in isolation; before I can comprehend my own place in the story, I need to make the effort to properly 'read' that of others. Otherwise, I'll have only a narrow and weakly formed identity based on my internal monologue.

Recently, there was an incident in Virginia that involved a particular set of Americans protesting that their heritage was under attack. Heritage and identity are based on the stories we tell to ourselves and each other. The story that these (mostly white men) tell to others and themselves is that they are a now a minority at risk of dissolution. The elements of this story are made from a collection of objects and 'small h' histories reformed into a new narrative that drive them to this conclusion. The focus in Virginia was a memorial statue of a Confederate general from the Civil War. These monuments are peppered around the South as a lingering reminder of that period in our shared history; however, many are slated for removal as they are and have become increasingly a tool for these 'oppressed oppressors'. I'm tempted to speak about 'the current political climate' or to go off on the poor state of leadership in the White House; but, in some ways, these are indicative rather than causal. We have malicious and tawdry leaders because we, as a diverse group of peoples, have allowed ourselves to become so or have permitted that kind of energy to inform our narrative. I don't really believe the men violently protesting and carrying NAZI flags truly represent the spirit of the South as they think they do; they are more representative of an underlying and systemic disease in the culture that has produced them. They say they are the embodiment of a real America; they are instead an example of ignorance and a complete misunderstanding of what America essentially is. (Further I have to wonder if, despite his personal or political aims, Gen Robert E. Lee would have condoned fascists using his monument as a symbol of their cause!)

There was a physical clash between the protesters and counter-protesters on the weekend and a woman was killed (it's a wonder that more weren't in the presence of heavily armed angry men; I'm afraid it's only a matter of time before these situations spill into uncontrolled violence). The resolution of this is, in the main, not a question of taking up arms on either side, it goes back to our stories. These men don't need some recognition or revolution to satisfy their frustrations; we who oppose their views need not clamp down on their actual freedoms (that just re-enforces their narrative of perceived oppression). We need better stories―stories that are informed by a broader understanding of ourselves and others, stories that aren't based in the Shadow side of our past but have come through and out of it, stories that recognise the reality of now rather than the imagined 'then'. Without a better story, people fester in ignorance of both their own true heritage and that of others. The men protesting on the weekend shouted 'you will not replace us' as if there are hordes of people coming to America specifically to become bigoted disillusioned men. These men have so wholly separated themselves from an understanding of 'the other' that their comprehension of other people outside their own sphere is stilted and misread.

I'm going to digress for a moment. I said in the first paragraph that my identity doesn't come from referencing a single place; that's not to say that a sense of place isn't important. We all need to have roots in a place and/or be able to transplant ourselves into new soil. That's a needed skill as people move about freely (and, increasingly, unwillingly) around the world. What we must realise is that this transition does not mean that existing cultures must be eliminated or that we must lose our own identities. What it does mean is that I need to have a healthy understanding of myself, to be able to communicate that to others and welcome them into my own culture. It requires effort on both parties in the encounter. I am a migrant into another culture now; though Australia is in many ways an easy transition, it's required of me to make the necessary effort to integrate into this society. That does not mean I lose my own identity nor does should it require Australia to diminish itself in order to accommodate me. I think the shouting angry men in Virginia are still looking at the world in a Colonial way―that, with any influx of 'the other' there is an invasion of culture that supplants the native one. That's certainly still possible; however, not necessary for either the migrant or the receiving culture. It's also incumbent on the native culture to offer its best narrative for the newcomers to enter into (in the same way one must offer a rich soil for the transplant as it roots itself). This effort is even more important than ever as the volume and speed of migration increases round the world. Migration, within living memory, was in many ways a slower and more permanent life event. Now we can fly round the world in a day and visit 'home' several times a year; our communication is instantaneous and continual. There is little incentive to wholly integrate into another culture when the ties to ones own are so thorough and especially if the culture one has entered into doesn't offer a compelling narrative in which one can have a place. There is a much larger issue here that probably warrants more thought and writing―but if you want to look at the creation of 'the terrorist next door' don't place the blame wholly on radical preachers far away. Ask why the young man who did some terrible thing couldn't find a place in the story of the country his parents migrated to. Why was the story he was offered as a citizen of one society so weak that it could be so easily supplanted by some YouTube videos and a shady guy he met online?

Ask as well why the men carrying NAZI flags to a rally in Virginia can't find an identity other than that of hate and bigotry. Ask why they have created this kind of narrative as their own history and want to offer that as a way forward for America. How do we counter that failing? We must create better stories and speak them with both both conviction and humility.

In Into the Fray Tags multiculturalism, culture, identity
2 Comments

From the Centre outward...

Where are we again?

Jason Nicholas January 26, 2016

If Australia isn't a distinctive place that welcomes the newcomer as 'The People of Australia', it will be lost—not that the culture we have now will be inundated by others, but there will be a more serious loss of soul from lack of cohesion. It will be the loss of a shared sense of place

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In Into the Fray Tags immigration, identity, culture
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Shapes of the morning walk.
Shapes of the morning walk.
I felt something in my arm today that, I’m assuming, is a piece of glass or metal still embedded there from the severe car crash I had in 2009. At the time, they had to dig several pieces out and said more might become apparent in years to come
I felt something in my arm today that, I’m assuming, is a piece of glass or metal still embedded there from the severe car crash I had in 2009. At the time, they had to dig several pieces out and said more might become apparent in years to come. I could have it removed but I figure it’s been there all this time and probably isn’t an issue. I’m relating that just to say–in a time when the world seems a bit dire, keep things in perspective and hold your loved ones close. We get a chance to live a new day every morning; don’t take it for granted.
Three birds in the evening light. #camperdown #blackandwhite #contrast #olympusomd #olympusem1x
Three birds in the evening light. #camperdown #blackandwhite #contrast #olympusomd #olympusem1x
New episode of The Apple and Biscuit Show out today: Neil and Jason talk to the Oscar-winning supervising sound editors and sound designers, Nina Hartstone and John Warhurst about their work. We go in-depth about the sound design considerations for t
New episode of The Apple and Biscuit Show out today: Neil and Jason talk to the Oscar-winning supervising sound editors and sound designers, Nina Hartstone and John Warhurst about their work. We go in-depth about the sound design considerations for the feature films Les Miserables, Gravity, Cats, Bohemian Rhapsody and the documentary of David Bowie’s life, Moonage Daydream. (On all podcast platforms or link in Bio) @ninahartstone @johnwarhurst @appleandbiscuitshow @neil.hillman #moonagedaydream #bohemianrhapsody #queen #queenband #freddiemercury #davidbowie #bowie #lesmiserables #gravitymovie #catsmusical @simonhayessound #filmsound #filmsounddesign #musicalfilm @anne.j_dudley
Today, we will record episode six of The Apple and Biscuit show (stay tuned for an interview with two Oscar winning professionals) but we thought we should also start posting our back catalogue of episodes on social media. Have a listen to our interv
Today, we will record episode six of The Apple and Biscuit show (stay tuned for an interview with two Oscar winning professionals) but we thought we should also start posting our back catalogue of episodes on social media. Have a listen to our interview with Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So People Want to Listen’ which has been viewed more than 150 million times. A self-proclaimed ‘listening evangelist’, Julian shares remarkable insights into the ways in which conscious listening brings about positive change both in personal and professional relationships, how low-cost acoustic considerations for classrooms deliver remarkable educational improvements and how sound in space created life, the universe and everything. Link in bio or all good podcasting players. @juliantreasure #listening #soundscape #quiet #onesquareinchofsilence #forestbathing
We’ve had some little cards made up for The Apple and Biscuit Show podcast; that makes it a tangible ‘official’ thing, doesn’t it? We’ll soon properly launch the series. The first five episodes are up live now. Link in b
We’ve had some little cards made up for The Apple and Biscuit Show podcast; that makes it a tangible ‘official’ thing, doesn’t it? We’ll soon properly launch the series. The first five episodes are up live now. Link in bio. #theappleandbiscuitshow
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We’ve published an in-depth technical episode today (link in bio or The Apple and Biscuit Show on most podcast platforms). Neil and Jason talk to ‘Mr. Loudness’, Mike Thornton, about the issues of television programme loudness and dialogue intelligibility. Why is the background music too loud? Why can’t the viewers hear what the actors are saying? And why are films so loud in the cinema? In a comprehensive and compelling journey starting with radio transmission concerns in the 1930s, to the present-day woes of broadcasters and streaming platforms, Mike’s accessible and understandable explanations demystify the raft of complex sound challenges that filmmakers continue to face in delivering effective soundtracks. #lufs #loudness #filmsound #audiomixing @nugenaudio
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New Apple and Biscuit Show podcast episode (link in bio or most podcast players); Neil and I talk to emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab’ (written and directed by David Robinson-Smith), ‘Gorgo’ (directed by Veniamin Gialouris) and the forthcoming feature film ‘Salt Along the Tongue’, (directed by Parish Malfitano), that Andrew sound designed and mixed. Andrew describes his journey from working in a Bathurst multi-screen cinema, then studying for a music degree, moving from recording studios to mixing television shows for SBS, and then studying sound design at the Australian Film, Television and Radio School (AFTRS). Andrew graduated from their Masters programme in 2022 and has subsequently pursued several creative endeavours with AFTRS alumni.
New Apple and Biscuit Show episode out today (on most platforms or link in bio). In this episode, Neil and Jason talk to Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So P
New Apple and Biscuit Show episode out today (on most platforms or link in bio). In this episode, Neil and Jason talk to Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So People Want to Listen’ which has been viewed more than 150 million times. A self-proclaimed ‘listening evangelist’, Julian shares remarkable insights into the ways in which conscious listening brings about positive change both in personal and professional relationships, how low-cost acoustic considerations for classrooms deliver significant educational improvements and how sound in space created life, the universe and everything. @neil.hillman @juliantreasure #listening #onesquareinchofsilence #forestbathing #silence #communicationskills #humanecology
Midday #photowalk with friends. #abstactphotography #blackandwhitephotography #olympus
Midday #photowalk with friends. #abstactphotography #blackandwhitephotography #olympus
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The Edge Of Somewhere

The Edge of Somewhere is the personal weblog of Jason Nicholas; you'll find journals, travels, and general musings on the state of the world and Cosmos.

, Sydney, Australia

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