The Edge Of Somewhere

  • The Podcast
  • Cover Page
  • About
  • Blog
  • Photography
    • Sculpting With Light
    • India
    • Teacher Portraits
    • Open Heart
    • Encounters
    • Production Photos
  • Contact
  • Professional Work
  • The Podcast
  • Cover Page
  • About
  • Blog
    • Sculpting With Light
    • India
    • Teacher Portraits
    • Open Heart
    • Encounters
    • Production Photos
  • Contact
  • Professional Work

Blog

  • All
  • Archival
  • Books
  • Communications
  • Ecology
  • Into the Fray
  • Journal
  • Music
  • Photography
  • Podcasts
  • Poetry
  • Profiles
  • Sound Design
  • Stewardship
  • Synchronicity
  • Tea Mind
  • Things that work
  • Travels
  • Uncategorized
  • World Events
Representing the United States with disunity... (image by Andrew Shurtleff/The Daily Progress)

Representing the United States with disunity... (image by Andrew Shurtleff/The Daily Progress)

What kind of heritage?

Jason Nicholas August 22, 2017

I'm Appalachian. I'm specifically from West Virginia, which 'sided' with the North in the American Civil War; regardless, I consider myself 'Southern.' Each of the above are layers of identity and heritage. Above those labels I'm an American which, though we consider it some kind of concrete identity, is really so diverse an amalgamation as to defy any sort of compact definition. If anything, America, as I was raised to ideally understand it, is composed of dissimilar peoples who have come together in the United States. Our similarity is based on and strengthened by our diversity. My personal identity is expanded though by further experiences I've had in other places and cultures. In other words, my identity doesn't come from existing in one place or only referencing that single place. Identity comes from an understanding of my place in the larger whole. It's both looking back and forward, not something static and based wholly on the imagined past. It's also tempered by an informed understanding of other people and their experiences. Neither my culture or my personal history have formed in isolation; before I can comprehend my own place in the story, I need to make the effort to properly 'read' that of others. Otherwise, I'll have only a narrow and weakly formed identity based on my internal monologue.

Recently, there was an incident in Virginia that involved a particular set of Americans protesting that their heritage was under attack. Heritage and identity are based on the stories we tell to ourselves and each other. The story that these (mostly white men) tell to others and themselves is that they are a now a minority at risk of dissolution. The elements of this story are made from a collection of objects and 'small h' histories reformed into a new narrative that drive them to this conclusion. The focus in Virginia was a memorial statue of a Confederate general from the Civil War. These monuments are peppered around the South as a lingering reminder of that period in our shared history; however, many are slated for removal as they are and have become increasingly a tool for these 'oppressed oppressors'. I'm tempted to speak about 'the current political climate' or to go off on the poor state of leadership in the White House; but, in some ways, these are indicative rather than causal. We have malicious and tawdry leaders because we, as a diverse group of peoples, have allowed ourselves to become so or have permitted that kind of energy to inform our narrative. I don't really believe the men violently protesting and carrying NAZI flags truly represent the spirit of the South as they think they do; they are more representative of an underlying and systemic disease in the culture that has produced them. They say they are the embodiment of a real America; they are instead an example of ignorance and a complete misunderstanding of what America essentially is. (Further I have to wonder if, despite his personal or political aims, Gen Robert E. Lee would have condoned fascists using his monument as a symbol of their cause!)

There was a physical clash between the protesters and counter-protesters on the weekend and a woman was killed (it's a wonder that more weren't in the presence of heavily armed angry men; I'm afraid it's only a matter of time before these situations spill into uncontrolled violence). The resolution of this is, in the main, not a question of taking up arms on either side, it goes back to our stories. These men don't need some recognition or revolution to satisfy their frustrations; we who oppose their views need not clamp down on their actual freedoms (that just re-enforces their narrative of perceived oppression). We need better stories―stories that are informed by a broader understanding of ourselves and others, stories that aren't based in the Shadow side of our past but have come through and out of it, stories that recognise the reality of now rather than the imagined 'then'. Without a better story, people fester in ignorance of both their own true heritage and that of others. The men protesting on the weekend shouted 'you will not replace us' as if there are hordes of people coming to America specifically to become bigoted disillusioned men. These men have so wholly separated themselves from an understanding of 'the other' that their comprehension of other people outside their own sphere is stilted and misread.

I'm going to digress for a moment. I said in the first paragraph that my identity doesn't come from referencing a single place; that's not to say that a sense of place isn't important. We all need to have roots in a place and/or be able to transplant ourselves into new soil. That's a needed skill as people move about freely (and, increasingly, unwillingly) around the world. What we must realise is that this transition does not mean that existing cultures must be eliminated or that we must lose our own identities. What it does mean is that I need to have a healthy understanding of myself, to be able to communicate that to others and welcome them into my own culture. It requires effort on both parties in the encounter. I am a migrant into another culture now; though Australia is in many ways an easy transition, it's required of me to make the necessary effort to integrate into this society. That does not mean I lose my own identity nor does should it require Australia to diminish itself in order to accommodate me. I think the shouting angry men in Virginia are still looking at the world in a Colonial way―that, with any influx of 'the other' there is an invasion of culture that supplants the native one. That's certainly still possible; however, not necessary for either the migrant or the receiving culture. It's also incumbent on the native culture to offer its best narrative for the newcomers to enter into (in the same way one must offer a rich soil for the transplant as it roots itself). This effort is even more important than ever as the volume and speed of migration increases round the world. Migration, within living memory, was in many ways a slower and more permanent life event. Now we can fly round the world in a day and visit 'home' several times a year; our communication is instantaneous and continual. There is little incentive to wholly integrate into another culture when the ties to ones own are so thorough and especially if the culture one has entered into doesn't offer a compelling narrative in which one can have a place. There is a much larger issue here that probably warrants more thought and writing―but if you want to look at the creation of 'the terrorist next door' don't place the blame wholly on radical preachers far away. Ask why the young man who did some terrible thing couldn't find a place in the story of the country his parents migrated to. Why was the story he was offered as a citizen of one society so weak that it could be so easily supplanted by some YouTube videos and a shady guy he met online?

Ask as well why the men carrying NAZI flags to a rally in Virginia can't find an identity other than that of hate and bigotry. Ask why they have created this kind of narrative as their own history and want to offer that as a way forward for America. How do we counter that failing? We must create better stories and speak them with both both conviction and humility.

In Into the Fray Tags multiculturalism, culture, identity
2 Comments

From the Centre outward...

Where are we again?

Jason Nicholas January 26, 2016

If Australia isn't a distinctive place that welcomes the newcomer as 'The People of Australia', it will be lost—not that the culture we have now will be inundated by others, but there will be a more serious loss of soul from lack of cohesion. It will be the loss of a shared sense of place

Read More
In Into the Fray Tags immigration, identity, culture
2 Comments

Featured
Aug 15, 2024
Menacing Males, Medusa and Malevolent Spirits
Aug 15, 2024
Aug 15, 2024
Jul 17, 2024
It's time to start listening—podcast with Julian Treasure
Jul 17, 2024
Jul 17, 2024
Jun 12, 2024
Our Second (entirely free of swearing) podcast
Jun 12, 2024
Jun 12, 2024
Jun 6, 2024
Our first (rather sweary) podcast
Jun 6, 2024
Jun 6, 2024
May 30, 2024
Those People
May 30, 2024
May 30, 2024
Apr 9, 2024
Reset
Apr 9, 2024
Apr 9, 2024
Feb 1, 2024
Exploring a different direction
Feb 1, 2024
Feb 1, 2024
Aug 9, 2023
Electric études
Aug 9, 2023
Aug 9, 2023
Jul 19, 2023
A Missed Step
Jul 19, 2023
Jul 19, 2023
Feb 6, 2022
Joining of the two
Feb 6, 2022
Feb 6, 2022

Shapes of the morning walk.
Shapes of the morning walk.
I felt something in my arm today that, I’m assuming, is a piece of glass or metal still embedded there from the severe car crash I had in 2009. At the time, they had to dig several pieces out and said more might become apparent in years to come
I felt something in my arm today that, I’m assuming, is a piece of glass or metal still embedded there from the severe car crash I had in 2009. At the time, they had to dig several pieces out and said more might become apparent in years to come. I could have it removed but I figure it’s been there all this time and probably isn’t an issue. I’m relating that just to say–in a time when the world seems a bit dire, keep things in perspective and hold your loved ones close. We get a chance to live a new day every morning; don’t take it for granted.
Three birds in the evening light. #camperdown #blackandwhite #contrast #olympusomd #olympusem1x
Three birds in the evening light. #camperdown #blackandwhite #contrast #olympusomd #olympusem1x
New episode of The Apple and Biscuit Show out today: Neil and Jason talk to the Oscar-winning supervising sound editors and sound designers, Nina Hartstone and John Warhurst about their work. We go in-depth about the sound design considerations for t
New episode of The Apple and Biscuit Show out today: Neil and Jason talk to the Oscar-winning supervising sound editors and sound designers, Nina Hartstone and John Warhurst about their work. We go in-depth about the sound design considerations for the feature films Les Miserables, Gravity, Cats, Bohemian Rhapsody and the documentary of David Bowie’s life, Moonage Daydream. (On all podcast platforms or link in Bio) @ninahartstone @johnwarhurst @appleandbiscuitshow @neil.hillman #moonagedaydream #bohemianrhapsody #queen #queenband #freddiemercury #davidbowie #bowie #lesmiserables #gravitymovie #catsmusical @simonhayessound #filmsound #filmsounddesign #musicalfilm @anne.j_dudley
Today, we will record episode six of The Apple and Biscuit show (stay tuned for an interview with two Oscar winning professionals) but we thought we should also start posting our back catalogue of episodes on social media. Have a listen to our interv
Today, we will record episode six of The Apple and Biscuit show (stay tuned for an interview with two Oscar winning professionals) but we thought we should also start posting our back catalogue of episodes on social media. Have a listen to our interview with Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So People Want to Listen’ which has been viewed more than 150 million times. A self-proclaimed ‘listening evangelist’, Julian shares remarkable insights into the ways in which conscious listening brings about positive change both in personal and professional relationships, how low-cost acoustic considerations for classrooms deliver remarkable educational improvements and how sound in space created life, the universe and everything. Link in bio or all good podcasting players. @juliantreasure #listening #soundscape #quiet #onesquareinchofsilence #forestbathing
We’ve had some little cards made up for The Apple and Biscuit Show podcast; that makes it a tangible ‘official’ thing, doesn’t it? We’ll soon properly launch the series. The first five episodes are up live now. Link in b
We’ve had some little cards made up for The Apple and Biscuit Show podcast; that makes it a tangible ‘official’ thing, doesn’t it? We’ll soon properly launch the series. The first five episodes are up live now. Link in bio. #theappleandbiscuitshow
We’ve published an in-depth technical episode today (link in bio or The Apple and Biscuit Show on most podcast platforms). Neil and Jason talk to ‘Mr. Loudness’, Mike Thornton, about the issues of television programme loudness and d
We’ve published an in-depth technical episode today (link in bio or The Apple and Biscuit Show on most podcast platforms). Neil and Jason talk to ‘Mr. Loudness’, Mike Thornton, about the issues of television programme loudness and dialogue intelligibility. Why is the background music too loud? Why can’t the viewers hear what the actors are saying? And why are films so loud in the cinema? In a comprehensive and compelling journey starting with radio transmission concerns in the 1930s, to the present-day woes of broadcasters and streaming platforms, Mike’s accessible and understandable explanations demystify the raft of complex sound challenges that filmmakers continue to face in delivering effective soundtracks. #lufs #loudness #filmsound #audiomixing @nugenaudio
New Apple and Biscuit Show podcast episode (link in bio or most podcast players); Neil and I talk to emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab’ (written and directe
New Apple and Biscuit Show podcast episode (link in bio or most podcast players); Neil and I talk to emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab’ (written and directed by David Robinson-Smith), ‘Gorgo’ (directed by Veniamin Gialouris) and the forthcoming feature film ‘Salt Along the Tongue’, (directed by Parish Malfitano), that Andrew sound designed and mixed. Andrew describes his journey from working in a Bathurst multi-screen cinema, then studying for a music degree, moving from recording studios to mixing television shows for SBS, and then studying sound design at the Australian Film, Television and Radio School (AFTRS). Andrew graduated from their Masters programme in 2022 and has subsequently pursued several creative endeavours with AFTRS alumni.
New Apple and Biscuit Show episode out today (on most platforms or link in bio). In this episode, Neil and Jason talk to Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So P
New Apple and Biscuit Show episode out today (on most platforms or link in bio). In this episode, Neil and Jason talk to Julian Treasure, the author and presenter of several of the most viewed TED Talks of all time, including ‘How to Speak So People Want to Listen’ which has been viewed more than 150 million times. A self-proclaimed ‘listening evangelist’, Julian shares remarkable insights into the ways in which conscious listening brings about positive change both in personal and professional relationships, how low-cost acoustic considerations for classrooms deliver significant educational improvements and how sound in space created life, the universe and everything. @neil.hillman @juliantreasure #listening #onesquareinchofsilence #forestbathing #silence #communicationskills #humanecology
Midday #photowalk with friends. #abstactphotography #blackandwhitephotography #olympus
Midday #photowalk with friends. #abstactphotography #blackandwhitephotography #olympus
vimeo soundcloud instagram-unauth applepodcast

All content copyright 2024 Jason Nicholas • hosted by Squarespace

The Edge Of Somewhere

The Edge of Somewhere is the personal weblog of Jason Nicholas; you'll find journals, travels, and general musings on the state of the world and Cosmos.

, Sydney, Australia

vimeo soundcloud instagram-unauth applepodcast